Übersetzung für "Kriegszerstörung" in Englisch

In this respect, the wartime destruction of the 19th-century urban fabric of the old Hansaviertel was actually a fortunate event.

The university was one of the largest in the Middle East until it was destroyed during the war.

It is an indispensable part of the Bauhaus heritage in Germany, which has been diminished by war damage and is vulnerable to demolition.

Sends his paintings to Switzerland to avoid destruction in the war.

Both buildings are impressive attests to the decisive new cultural beginning following the destruction of the city in the war.

It was replaced by a new bridge in 1927, which was badly damaged during the Second World War, but rebuilt and is still serves rail traffic between the Ruhr region and Aachen.

The present building, which was reconstructed after its destruction in World War II, is a Gothic hall church, built after 1275 in light-coloured sandstone.

The present building, which was reconstructed after its destruction in World War II, is a Gothic hall church, built after 1275 in light-coloured sandstone.

In this context, Jalal Toufic's accompanying essay describes not only the disturbing effect of buildings that have fallen prey to the destruction of war, but also elaborates the psychological reasons why it is important – if not essential – to document destruction by means of photography.

From 1842 the association maintained a polyclinic in Leipzig which existed up to its destruction in the war in 1943.

In February of 1945, depressed by the terrible destruction of the German cities and theaters (birthplaces of his opera children) caused by the war, the 80 year old took up the waltz again.

Following the extensive damage inflicted on the inner city by the war, in 1945 there are numerous plans and competitions for the reconstruction of the city.

From 1953 to 1956 the two main locations for the festival were the Filmbühne Wien (previously the Union-Palast) which was restored after being destroyed in the war and the new built Gloria Palast opened 2 January 1953.

The photo shows in the background the carpet (2.5 x 3.5 m) created by the painter and handcrafter Wenzel Hablik (1881-1934), which survived the destruction of the war and in the meantime is now stored for conservatory reasons in the Grassi Museum of Applied Arts in Leipzig.

However, I did not intend to create a photographic inventory of still existing structures that survived earthquakes and war bombings.

The basis of a sensible integration of this substance which due to various interferences even in the post-war era underwent further changes is to show consideration for all details.

Before the Second World War, the 28 four-lancet windows in the nave and transept contained a cycle of figures representing characters from both the Old and New Testaments and representatives of the Church.

After the destruction caused by the war from 1945, up until the 1950s, it was used to store crude benzene from the other gas plants in Hamburg.

There are in fact a couple of buildings that remained untroubled by destruction through war and post-war architects.

The library at first claimed that the books could not be found in the chaos caused by war damage and evacuation and that the loss of the access register made it impossible to identify them.

Respect for the historic traces must be extended to the excavated outer walls of the first consecrated space of the post-Roman era, as well as to the defaced iron reinforcements which have been dangling down from the walls since the church collapsed, and the concrete stones which were presumably used in the 1970s in order to provisionally close a door in the northern sacristy wall. The basis of a sensible integration of this substance – which due to various interferences even in the post-war era underwent further changes – is to show consideration for all details. This rules out the restoration and the reconstruction of individual parts.

This eventually led to a variety of church buildings which predate the late-Gothic church with its more than fifty sepulchres, some of which were accessible. Ultimately ruined as a consequence of the destructions of the Second World War, St. Kolumba was used as a »quarry« during the subsequent years of reconstruction. In 1950, the architect Gottfried Böhm added a chapel Madonna in den Trümmern (i.e. Madonna in the Ruins) in the steeple area.