Translation of "Aeolian harp" in German

The Aeolian Harp inspired artwork by Arthur B. Chandler and Jamie Durrant.

After a last repetition of the ritual formula, the piece vanishes into the sound of the Aeolian harp.

Naturally, most tremendous photos can be made through the Aeolian harp aperture.

The Aeolian harp - already known in the ancient world – was first described by Athanasius Kircher (1602–1680) in his book "Phonurgia nova" (1673).

The frequent use of the Aeolian harp as a symbol for the poet was a play on the renewed emphasis on afflatus.

The resulting film, photographs, and sculp tures refer to regional histories and cultural myths, ranging from the figure of the plein-air painter as a traveling dervish to the idea of the landscape as shaped like an Aeolian harp, and the belief in a sub terranean “inner sea” into which the Aral Sea has dis appeared.

In this poem, that Hölty wrote just a few years before his death, he asks his friends to hang his small harp behind the altar, so that it can sound of its own accord, like an Aeolian harp.

Beethoven might have been influenced by the sound of the Aeolian harp, as Murray Perahia and Norbert Gertsch explain in the introductory texts to this edition, referring to the latest research.

The early works of the 1970s and 80s are testament to an intensive engagement with the history, aesthetics and acoustic phenomena of the Aeolian harp.

In Feng Shui to create a melodic background using a tool known as the Aeolian harp.

Two very different worlds come together in this quartet: on the one hand there is a soundscape which lives by subtle shifts within a mainly steady sound, and which sometimes blends into a flageolet resembling an Aeolian harp; on the other hand there is a story of four people who are represented by four themes, and who experience transformation and development in the story.

Watch for the Aeolian Harp, a 27-foot-tall harp that is strummed by the wind.

Since the early 1970s Mario Bertoncini designed and built sound objects, based on the same principle as the Aeolian harp.

This quality, as a aeolian harp, resounds to the current of reality; and it accumulates beneath the center of the Chalice the subtlest soma of cognition and discernment, not only by means of co-measurement but also in accordance with immutability.

Material on the wind harp, collected over years from literature (from the Bible to an original essay by Walter Gröner), music (from Johannes Brahms to Hans Werner Henze) and the visual arts (from William Turner to the authors of the book), was decorated with remarks and comments to create this amusing compendium on the phenomenology of the Aeolian harp.

The difference between Chinese aeolian harp from West, which was placed in the garden arbor, quite substantial.

From the east the Sudaksky beach covers cape Alchak (its name on krymskotatarski means low, stocky) with the well-known Aeolian harp, an aperture in a rock through which sings a wind.

Image and sound come from the interesting pages by Uli Wahl, which are devoted to aeolian harps (wind harps) and other instruments blown by natural wind.

In working on the Aeolian Harps project (1987-92) on their revered land at Lake Mungo I was able to spend seven days in their world with them, understanding the winds, the drifting sands, the dingo, fox and kangaroo tracks, reading the constellations and just breathing, watching the light change.