Translation of "Anamorphosis" in German

There is an arts technique called mirror anamorphosis.

This optical illusion is based on anamorphosis.

Between patchwork and anamorphosis, the Ana House disturbs our senses.

For this unusual type of image Achim Bahr created the term of stereoscopic anamorphosis.

Artists often use this type of transformation, and they've given it the name anamorphosis.

Sculptures also offers many opportunities to experiment with anamorphosis to create optical illusions.

Walter Grasskamp expands on this theme in his essay, examining the one-of-a-kind interplay between anamorphosis and labyrinth.

Everyday we find many examples of anamorphosis almost without being aware of it.

Punctuated regularly by posts, the structure is like an anamorphosis of the boundaries of the public space.

But anamorphosis subverts the visual plane... canceling out all that you've learned about fixed perspective.

User animation for a explore Anamorphosis, a method for a set hidden images in a work of art, in that forvride it using the perspective rules.

Anamorphosis causes no problems with line doublers and other video scalers, which simply duplicate the scan lines before they are stretched out by the widescreen display.

Leonardo ?s anamorphosis, a historical document of this process of activation, which for the first time required an oblique viewpoint, is found again in Bruce Nauman ?s moments of movement from video images.

If according to Paul de Man Kleist’s “aesthetic power lies neither in the puppet nor in the puppeteer but in the text which unfolds between them”[12], as “the transformation system, the anamorphosis of the thread”, then Le Roy’s Self Unfinished is puppet and operator at the same time without disentangling the thread between them.

Anamorphosis is a type of optical illusion that makes objects or images to appear distorted, and they only display correctly from a specific point of view or using some special device.

This commemorative volume contains new and historic contributions of different authors concerning stereoscopy and a history of the German Stereoscopic Society with numerous illustrations, among them the stereoscopic anamorphosis »Linos« (anaglyphs) as well as the picture »3D« (here as »Woman and Man with 3D-Glasses«) by Achim Bahr .

The invention relates to a method for producing image contrast by phase shifting in electron optics, wherein, starting from an intermediate image, an anamorphic image of the axial rays is produced by quadrupole fields with simultaneous passage through zero of the field rays in at least one diffraction intermediate image plane, where a relative phase shift between a region around the electron beam of zeroth order of diffraction and the electron beams of higher orders of diffraction is caused by a magnetic or electric field, and thereafter the at least one anamorphosis of the beam path produced is corrected again by further quadrupole fields.

However, due to the omission of quadrupole fields, the two field configurations each exhibit no symmetry within themselves, which causes a deviation in the slope of the rays compared with the configuration with double symmetry described above. In this case, joining the field configurations requires setting options to achieve complete correction of each anamorphosis.

However, this is distorted by the effect of the quadrupole fields, that is, it is drawn apart in accordance with the anamorphosis of the image 6 in such a way that the zero beam 13 is in the region of the center of the length 7 and the electron beams 15 of higher orders of diffraction are disposed sequenced toward the outside with the higher orders of diffraction further out.

This figure is actually an anamorphosis of a skull, baroque symbol of the brevity of life.

It is only by referencing this source (which until now had not really been convincingly included in the interpretation of the musical structure) that the term "anamorphosis" used by Sciarrino with regard to this piece can be properly understood.

It is essentially a procedure that was already known in Gesualdo's time: anamorphosis – the caricature of an object the original of which can only be recognised in a circular mirror.

Rudolf Herz (*1954), the artist behind the decoration of the station, generated his wall-filling anamorphosis using a picture distortion technique that has been known since the Renaissance.

This Argentinian artist has specialised in the 3D anamorphosis technique that invites the observer to look at things differently through an optical illusion.

The mirror as mirage, the twin as reflection, the micro as macro, are all aspects of Rana's 'accented' anamorphosis.