Translation of "Antiphonary" in German

This monastic antiphonary contains the chants for the Liturgy of the Hours.

Antiphonary from the Franciscan Monastery of Fribourg, dated 1488 according to the colophon f. 214v .

Manuscript Summary: This monastic antiphonary contains the chants for the Liturgy of the Hours.

The Antiphonary is written in Latin, but contains strong internal evidence of its Irish origin.

Some of the hymns are found in the Antiphonary of Bangor, the "Leabhar Breac", and the Book of Cerne.

The Turin Fragment and the Antiphonary of Bangor contain for the most part pieces that are either not found elsewhere or are only found in other Irish books.

The Antiphonary gives twelve hymns of which eight are not found elsewhere, and ten are certainly intended for liturgical use.

The Antiphonary of Bangor (Antiphonarium Monasterii Benchorensis) is an ancient Latin manuscript, supposed to have been originally written at Bangor Abbey in modern-day Northern Ireland.

Some of the hymns are found in the Antiphonary of Bangor, the Leabhar Breac, and the Book of Cerne.

The mass in symboli traditione includes the traditio and expositio symboli, that for Maundy Thursday is followed by the Good Friday Lectio Passionis, and the Easter Eve mass is preceded by preces and intercessory orationes similar to those now used on Good Friday, by the benedictio cerei (for which a hymn and a prayer occur in the Bangor Antiphonary), here only represented by Exultet, and by the order of baptism.

The antiphonary, however, cannot be identified with any of the books named in the catalogue of the books bequeathed by Dungal, as given by Muratori, and there are no sufficient grounds for connecting Dungal with Bangor at all.

It can also be an abridged form or breviary, which just show the sacramentary (for mass chants) or antiphonary (for the office chant of the Vigils and the Hours) according to the liturgical year.

Michael Lapidge suggests that some of these may have found their way into Bangor books, including the Antiphonary, which seems to have been written around 700, about 100 years after the death of Columbanus.

The mass "in symboli traditione" includes the "traditio" and "expositio symboli", that for Maundy Thursday is followed by the Good Friday "Lectio Passionis", and the Easter Eve mass is preceded by preces and intercessory orationes similar to those now used on Good Friday, by the "benedictio cerei" (for which a hymn and a prayer occur in the Bangor Antiphonary), here only represented by "Exultet", and by the order of baptism.

The same hand also wrote the convent's manuscript containing the summer portion of the antiphonary (Wil, Dominikanerinnenkloster St. Katharina, M III).

Together with another manuscript from Hauterive, the antiphonary L 301, this manuscript is considered evidence of the rapid spread of the cult of the saint in a Cistercian monastery.

This volume is part of an antiphonary in three volumes that was produced in duplicate for the liturgy of the Collegiate Church of St. Vincent (founded in 1484/85) in the city of Bern.

The antiphonary was held by the St. Gall Dominican convent of St. Katharina, where it may also have been written.

I), up until now only known as a painter (one of his paintings is preserved in the Museum of Religious Art at San Casciano Val di Pesa); and an antiphonary by a Bolognese miniaturist influenced by Orcagna (cod.

These antiphonary fragments, which were copied around 1136/1140 and were scraped and corrected around 1140/1143, constitute a blank cover.

In the manuscript section there are eleven valuable illuminated codexes, seven from the 14 C and four from the 15 C, including: a gradual attributed to Lippo di Benivieni (ca. 1310 - 20); an antiphonary from the mid-15th century decorated by an illuminator influenced by Orcagna; and three 15th-century manuscripts illuminated by Antonio di Girolamo.