Translation of "Liminality" in German

The liminality opens the path to transformation.

But the liminality of the Exodus in terms of salvific history is here being referred, as an Old Testament type, to that very time when Paul was writing his letter to the Corinthians.

I became quite interested in this notion of liminality and purgatory after reading Dante’s Divine Comedy, which I think was completed the year of his death in 1321.

I have read this passage attentively, but with the best will in the world I cannot find any connection with the aspect of "liminality" mentioned here.

Are we returning here to the “forces of disruption” you alluded to in “The Liminality Series” at the outset?

I have read this passage attentively, but with the best will in the world I cannot find any connection with the aspect of “liminality” mentioned here.

Not only can I not find any trace of liminality here - on the contrary, I actually see the preterists as being in a similar position to that of Israel in the desert, after the Exodus.

She is part of the DFG research project Probing the Limits of the Quantified Self and of the DFG network Narrative Liminality.

To sum up, I take the position that our earthly life as Christians is equivalent to this state of liminality (“already - but not yet”), while the events of salvific history have already come to pass in their entirety.

I became quite interested in this notion of liminality and purgatory after reading Dante's Divine Comedy, which I think was completed the year of his death in 1321.

Divested from subject formation but for different reasons, these feminist scholars in science and technology studies inflected by Deleuzian thought have been concerned about bodily matter, claiming its liminality cannot be captured by intersectional subject positioning.

To sum up, I take the position that our earthly life as Christians is equivalent to this state of liminality ("already - but not yet"), while the events of salvific history have already come to pass in their entirety.

You say that you cannot see any connection between the liminality I spoke of with reference to the time of the apostles and 1 Corinthians 10; I would like therefore to go into this relation between the first congregations and the Exodus, in terms of salvific history, in somewhat greater depth.

Projekt Limina as the main concept and Konzert-Installation Limina as a part of the project mirror and represent liminality in various ways.

Moreover, this time when the Israelites were wandering in the desert, between the Red Sea and the Jordan or Jericho, can certainly be understood as a kind of liminality, in which God's presence and guidance of his people were made manifest through visible signs and wonders - as was also the case in the time of the apostles.

His work speaks to his experiences of racial, religious and sexual liminality in South Africa, but breaks with a strong representational convention in recent South African art.

His thoughts on the state of liminality, as well as the philiospher Gaston Bachelard’s thoughts on the rational versus the irrational mind has accompanied Erlund’s research for several years and function as a strong influence in the conceptual foundation for the entire Outside insight series of works, which Outside insight paravent is part of.

As far as my biblical understanding goes, in 1 Corinthians 10 Paul links this time of transition in which the first congregations found themselves with the paradigm, or warning example, of the Old Testament Exodus. Moreover, this time when the Israelites were wandering in the desert, between the Red Sea and the Jordan or Jericho, can certainly be understood as a kind of liminality, in which God’s presence and guidance of his people were made manifest through visible signs and wonders - as was also the case in the time of the apostles.

But it also looks forward to what you have referred to as the "forces of disruption" that seem to displace and re-order traditional notions of belonging and community. John Akomfrah: The Liminality Triptych is a figurative photographic work that uses the language, ideas, icons, and conventions of the historical triptych to speak to modern themes around—I agree with you—diversity, tolerance, and the coming of the new.