Translation of "Primitivism" in German

We call it "Binary Primitivism".

Since the Romantic primitivism with a vanguard position was associated.

Many people are angry about the primitivism and falling into line of commercial programmes.

In 1931 the first surrealist exhibition in the United States took place in the Wadsworth Atheneum in Hartford, Connecticut, and in May 1936 the "Exposition surréaliste d'objets" was held in the Parisian gallery Charles Ratton, which particularly valued object art and also referred to Primitivism, sexual fetishes and mathematical models.

It is precisely those elements of primitivism that draw us to his portraits and subjects and make them so highly original.

Binary Primitivism: We live in a time where humans have lost the ability to understand the world.

The narrator introduces the segment by making a connection between the primitivism that inspired Stravinsky’s music and the emergence of life on earth.

Primitivism makes clear the connection with graffiti and with the fact that, to Art, has the role of exposing thought, not of recording reality.

Men who, being incapable of mastering their own intellectual and spiritual primitivism, seek to drag others down with them to the murky depths and stygian blackness which surround their own pitiful existence.

Major currents in art history – especially Primitivism in the 20th century – have been inspired by this fascination.

Difficult to categorize and branded as “naïve”—art history had and still has a hard time with works by the great autodidacts: artists such as Henri Rousseau, André Bauchant, Morris Hirshfield, Bill Traylor, Alfred Wallis, or Séraphine Louis are far too often isolated in the light of an exotic primitivism, so to speak.

The slogan of the group led by Larionov was primitivism, with an orientation towards signboards, folk paintings, wood-block prints, and icons.

From the notorious “primitivism” of modern art to the globally operating system of contemporary art today, the conference contributions situate cultural production and aesthetics in the geopolitical geographies of modernity.

Difficult to categorize and branded as "naïve"-art history had and still has a hard time with works by the great autodidacts: artists such as Henri Rousseau, André Bauchant, Morris Hirshfield, Bill Traylor, Alfred Wallis, or Séraphine Louis are far too often isolated in the light of an exotic primitivism, so to speak.

In his talk James Clifford contrasts the critical primitivism of the artistic generation of the 1920s and 1930s with articulations of pre-/postcolonial deep time in the present.

It combines elements of expressionism, surrealism, flash backs, asemic writing, spontaneous writing, daily, the ingenuity, silhouettes and stains, lack of synchronization and logic, marginal arts, primitivism, unusual themes, underground culture, psychedelia, utopias, dystopia and anachronism, criticizing society and making use of alternative resources, recycled and low cost.

At this festival the audience will become familiar with virtually all types and styles, dominant in the art of the XXI century: from primitivism to surrealism, from glamor to the outrageous, from classical to conceptualism.

The drama of well-trained extra-European composers, fundamentally obsessed with the possibility of mimetism with the colonial models and of success in the metropolitan milieu (like Isang Yun, and even Toru Takemitsu in the last part of his life), and making frequently resort to some marketable “primitivism” and/or “exotism” (like Igor Stravinsky, Heitor Villa-Lobos, Carlos Chávez, Alberto Ginastera).

This fact speaks volumes about a certain primitivism that still afflicts our sectors of activity.

The Ethnographic Museum in Heidelberg is incredible and one can then walk to the Prinzhorn Collection Musuem and see the carved wooden sculptues of Karl Brendel including ‘Militarism’ which are permanently displayed next to the Kota reliquary figure that Hans Prinzhorn used in his comparisons to illustrate his theory of Primitivism.