Translation of "Chorsatz" in English

Another composer would just simply have started the recitative and then the choral ending.

The chorus passage can be performed by a good amateur choir.

The spirited homophone choral setting ensures humorous moments during the Christmas concert!

Nowak presumes a chorus setting, as Rott has noted the scope of voices of the individual type of voices at the end.

The cantata is not closed by a chorale but the only choral movement, a prayer that God's word may fall on fertile ground in us.

The movement is concluded by a vocal setting without cantus firmus embedded in the music of the introduction, framing the movement.

As appropriate to the finale of Part II, this repeat chorus is longer and ends more intensely than the first.

In great contrast the following line, (But the world will rejoice), is conveyed by the chorus embedded in a repeat of the first part of the ritornello.

The cantata culminates in a choral movement opening by the tenor's "Ergetzet auf Erden" (Delight upon earth), followed by the alto's "erfreuet von oben" (rejoice on high), then all voices sing together in homophony "Glückselige Zeiten, vergnüget dies Haus!" (blessed ages, bring joy to this house).

In stark contrast to this high texture, the four-part vocal setting is dominated by the cantus firmus in the bass, reinforced by the trombone and the continuo.

In the final movement, she quoted verse 18 from the Gospel, set by Bach as an unusual choral movement.

This feature length project sets traditional Swiss love-songs (in four - five voice choral parts) against contemporary sounds and rhythm pieces (flippers, wooden shoes, clapping, newspaper sounds, matches, balloons).

The size of the church is made evident not by using the full choral forces constantly, but sparse material is placed in the space, small subjects which always emerge in other places and which are handed on through a constantly forward-flowing sound stream of the voices.”

He wrote the four voice parts of ‘Coming for you’ in a short period of time.

He wrote the four voice parts of 'Coming for you' in a short period of time.

The second concert took place on 12 October 1815 and included an unspecified chorus by Handel. The workshop is also dedicated

The nearest copy-and-edit template to this layout is SATB vocal score and automatic piano reduction – but we need to change the layout and add a piano accompaniment which is not derived automatically from the vocal parts.

Her choral piece Lux aeterna, taken from the text of the Catholic requiem Mass, is heard in a version for chorus accompanied by vibraphone and glockenspiel at these concerts, but, like so many of Einfelde’s works, it also exists in other versions: for a cappella chorus and for chorus and orchestra.

As early as 1927, in his first year as a professor of composition at the Berlin Conservatory, Hindemith formulated his thoughts on the "ideal chorus" in a presentation.

The song begins in 7/8 sequence with a three-part vocal element that runs throughout the piece like a leitmotif.

This 16-line draft in score form of a choral piece accompanied by winds and strings is possibly contemporaneous with the dramma per musica "Der Streit zwischen Phöbus und Pan", judging from its character and motivic structure (cf.