Übersetzung für "Kunstbesitz" in Englisch

The core of the collection dates from the art collection of the Wittelsbach family.

What does the DaimlerChrysler Corporate Art Department actually do?

Their property was seized and sold in 1936, and their art collection was sold in a compulsory auction.

The TU Dresden registered 40 scientific and technical collections as well as several art collections.

According to personal investments, ownership of the art (and the rest of the investment portfolio) was spread evenly.

Between November 1938 and February 1939, the Gestapo Munich confiscated the art collection of 69 Jewish citizens.

All works come directly from the artist’s studio, provided by his widow Karin Girke, whose art possession we have been managing for over 10 years.

At the same time, the democratic principle of 'art for all' was accompanied by a subversive principle which opposed the possession of art and the concomitant social status.

The commission decided that the items of art property of the former archive, which had been separated from the academy archive in 1983 and kept and safeguarded elsewhere, were to be returned to the archive's collections department.

Hans Baumgart from the Daimler Chrysler art collection and the gallery owner Max Hetzler brokered contact between Jeff Koons and Arnold in order to realize the „Balloon Flower“.

With the Russian Revolution in 1917 private property was declared illegal. As a result, private art collections were banned, many were confiscated and nationalized.

Admittedly, its origin is unknown but a high of number of gold medals of highest quality were incorporated into the Imperial inventory with Franz Stephan of Lorraine from Lorraine works of art.

The attached correspondence often includes details on the living conditions, also as a rule the amount of Reich Flight Tax ("Security Order", "Sicherheitsbescheid") and Jewish Property Tax ("Juva"), information on ownership of art (however, very seldom appraisal lists)

Contributing to the new and more emphatic public presence of the Kunstsammlung – which is now able to display the art collections of this federal state more comprehensively than ever before – is the large-scale mosaic mural "Hornet", composed of colorful tiles and the work of American artist Sarah Morris.

Here they are provable only for the high-ranking – and reaching far beyond Ridinger and his century – collection of von Gutmann.

Ranging clear across the stylistic spectrum and along a timeline of many centuries, the works on display showcase this country’s diverse art treasures.

Smaller private art initiatives continue to develop the concept of the museum; collectors such as Thomas Ulbricht or Arthur de Ganay in Berlin present their art in private show rooms: "chamber concerts instead of stadium performances," as Wilhelm Schürmann calls them.

They are among the most important art and cultural history collections in Germany, and consist largely of the treasures originally acquired by the Coburg dukes.

Although practically useless as a private art possession, the trees created a monument to this kind of initiative both individually and collectively, through which, until the current day, the tree owners remain connected, and the subjection to constant change provides for political, aesthetic and administrative dialogue.

Along with that, we help our clients in the transference of larger estates with art collections, and we support them in creating foundations with a cultural background – all the way to founding a new museum.

The Corporate Art Department has also presented a series of exhibitions on the New York, Berlin and Sindelfingen sites since 2000.

The Princes Dedo and Gero of Saxony had buried these boxes there in February 1945 in order to hide valuable works of art of the Saxon royal family from the Red Army. Among the main works of art are the two Gothic reliquary crosses from the treasury of the Dominican church St. Catharine’s in Liège which had been dissolved during the French Revolution.