Übersetzung für "Mediale öffentlichkeit" in Englisch

The established public media, the private television channels, only make the others visible.

The media public and the global communication networks may serve as her home as well as the museums to which she will always return with her experiences.

What constitutes the recursivity of media in a public is therefore posed as an empirical and historical research question.

It is multifaceted and unconventional like Dean Blunt himself while he handles the media and public in his own way.

Going back 53 years, the magazine traditionally addresses international customers, staff and the general (media) public.

Only after the attacks of September 11, 2001, the media and the public became aware of the massive human rights violations Afghan women had to suffer.

While in the conference centre in the wastelands there will be only the media, the inner city offers both the media and the real public. This is a twofold invitation to carry the protest to where it belongs.

With the “edition taschenphilharmonie”, the ensemble of the same name from Munich (Germany) consistently takes another step into the media public sphere:

In recent years international media reports have focused on the city's mind-boggling architectural projects such as the Burj al Arab, presumably the world's most luxurious hotel, or the Burj Khalifa, the highest building on Earth.

The media in France, politicians, the national security authorities and the judiciary react quickly to anti-Jewish acts.

From an art-historical perspective he is tying in with the work of the American photographer Diane Arbus, who in the first half of the twentieth century confronted the media public with portraits of ‚freaks‘, midgets and transgender persons.

By doing so I explored the circumstances, mechanisms, of producing pictures, and the process of including and excluding these pictures from media exposure, which later will become our collective memory of the conflict.

This way of dialogue created a new kind of public audience that, for the very first time, actively participated in the reformers’ controversies.

There is also scientific consensus on these questions, but again the media does not recognize it. The preference is still for controversy, frequently combined with lack of interest in a consensus that threatens the fossil business model.

Moved as a fictional character, Maya Brush in two worlds: the first time, leaving a virtual sculpture, the museum and art institutions dares step into the "real" life in the public media and global communication networks.

This process involved both a noble search for all imaginable innovative approaches to the language of music, and pranks set on sending up the audience, an endless chase after novelty without at the same time consolidating the newly found through an evolutionary step-by-step sequence; as well as a condescending attitude manifested by composers of such music, accompanied by medial massaging of the public in favour of music which was indeed new, yet which was fairly often either watered down at core or not elaborated in depth, in texts penned by writers whose gift to understand music was more often than not bitterly inadequate – with the passage of years, all of this has yielded its inevitable fruits: namely, ever fewer listeners have been ready and willing to accept this kind of experimental music.

The story’s reception, even more than the story itself, reveals the catastrophic effects of an uncanny love, in other words, a love that is unaware of its violence: should the medial public abandon Natascha Kampusch completely in her traumatic romantic ambivalence and categorically refuse her the chance to tell the story of her abduction also as a love story, then she will become a victim twice-over; a patriarchal neo-fundamentalist society, which fundamentally rejects every knowledge about and every insight into the romantic economy of its unconscious, the semiological matrix of the auto-destructive prison cell intimacy, will repeat its ideological abuse upon her.

What threatens media public spaces, what strengthens them?

Africa is booming – at least in the media.

Personal lifestyles are often in contrast to the public media.

Contradicting opinions and analyses are rigorously suppressed in the public media.

The media-informed public however often experiences difficulties in distinguishing between valuable and non-viable studies.

The preliminary phase in 2010 and 2011 is to see the groundwork being laid for a specialized scholarly library and an institute-affiliated archive (based on the Holocaust-relevant documents of the IKG archive) as well as the design and trial of various forms of public events – such as lectures, book presentations, conferences and workshops as well as public media interventions in remembrance of the Shoah.

With little recourse to legal means, an increasing number of frustrated victims of graft resort to extra-legal measures such as strikes, demonstrations, and sit-ins in order to gain media and public attention.

Five months later, he is set free and the 'Ndrangheta is now known all over the world to a media public.

The 54-year-old researcher from the University of Bielefeld will receive the award, valued at 50,000 euros, for his achievements in communicating his research findings on the causes, forms and consequences of conflicts, discrimination and violence within a society to the media and wider public.